Senior Lecturer at the Department of Art History, University of Haifa, Israel.
He has written extensively on Modern and Contemporary Art for academic journals, books and exhibition catalogues. He is the author of Ilana Salama Ortar: La plage tranquille (Montpellier) and The Portrait of the Artist as a Facial Design (Tel Aviv).
He is the editor of The Beauty of Japheth in the Tents of Shem: Studies in Honour of Mordechai Omer (Tel-Aviv) and of Strange Deviations Occupy the Fringe (Haifa).
His articles have been published in L’Architecture d’aujourd’hui 372, Theatre Research International, Performance Research, and The Middle East Review of International Affairs Journal, Jewish Identities, Art Journal and others.